Showing posts with label media. Show all posts
Showing posts with label media. Show all posts

Making Art No. 10: Trends that shape the Future of Artistic Design Expression in 2025

Art is not, obviously, that ephemeral and often conflictive relationship of a search for love based on ending up all beaten up after provoking angers to strangers for internet content (Johnny Somalí), but it is truly the need to know ourselves, find ourselves, and even make visible what is not always so through authentic connections whose panorama is being transformed even now more with the popular use of artificial intelligence, challenging us to find meaning in the everyday such as collaborative projects that are booming in particular because brands seek to reach a wider variety of audience groups by adopting styles in their campaigns driven by increasingly advanced targeted digital advertising, which allows brands to serve audiences with images that will appeal to their specific tastes of familiarity and visible comfort through creations of 3D textures visible on image generation pages with artificial intelligence, but in a professional way and that transcends other arts style yameii online, apoki or digital humans like Mave's kpop offering; In turn, driving the making of 3D modeling more accessible and with a greater workflow for 2D artists based on platforms such as *WOMP*, *Adobe Project Neo* and *Kaedim*.
Design will also delve deeper into the pursuit of futures with roots in trends such as the retro-futurism based on stylized interpretations of the vintage and retro Moons of Darsalon style, steampunk, cybergothic and representations of the past and present, trends that unleash the imagination of artists and are expected to be applied more widely to comic art, conceptual art and fantasy illustration. After all, the trend will be totally clear during 2025 with the return of vintage magazine brands such as *Heavy Metal* and *Metal Hurlant*. Also we will also see a lot of psychedelia inspired by nature, spiritual feelings, hallucinatory patterns, vintage futuristic landscapes, funny and relatable everyday moments, satire, wordplay and the quirky; with a timeless sense of humor.

   

Additionally, all hand-made stop motion animation will be popular like already *Wallace & Gromit: Vengeance Most Fowl* on Netflix, *Dog Man* by DreamWorks or *Wildwood* produced by Laika, and there will be a lot of attention to all immersive experiences such as the collaborations made by artists like DJ Anyma (Matteo Millei) who has managed to combine electronic music with projections created by the team behind the duo Alessio De Vecchi (co-creative visual director) and Ian Spriggs (character artist), during the events of Tomorrowland and Afterlife, similar to those presented in the structure of The Sphere in Las Vegas, a site where popular shows of the same style will continue to be performed, and whose trend is repeated with *Starscape* presented at Genesis House in New York City; *Immersive Journey* by ROM in Toronto; *Invisible Worlds* at the Natural History Museum of America; *TeamLab Planets* and *TeamLab Borderless* presented in Tokyo; the moving version of *Rembrandt's The Storm on the Sea of Galilee for Frameless* made by Cinesite in London; As well as immersive, interactive experiences such as *Super Nintendo World* at Universal Studios Hollywood and Universal Orlando Resort; *Disney's Star Wars: Galaxy's Edge*, located at Disneyland; or *Pac-Man Live Experience* at the Arcade Arena in Manchester

And that's how we've already started to explore the concept of "Real Time Immersive Experience" using Unreal Engine, this powerful dynamic rendering engine allows the creation of complex environments, using cloners and effectors that can handle tens of thousands of meshes in real time, whose capabilities include Dynamic Visual Definition that allows adjusting the visual resolution of particles and colors on material surfaces instantly, and Advanced Visual Physics that offers realistic simulations of particles and collisions, enriching the immersive experience; Features that are essential in large visual effects and animation productions, both in film and television series, as is the case of visual effects and film production companies such as DNEG.
In conclusion, the evolving landscape of art and design is being dynamically reshaped by technological advancements, particularly with the integration of artificial intelligence and real-time immersive experiences. The convergence of these elements not only expands the boundaries of creativity but also offers new avenues for artists and designers to connect with audiences in profound and meaningful ways. As we continue to explore and embrace these innovations, the potential for collaborative and transformative artistic endeavors will undoubtedly grow, enriching our cultural tapestry and paving the way for future generations of creators.

Social: Banned videos from YT no. 3 Audiovisual "TV advertising"

Message that seems many do not understand

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antique & original link https://www.youtube.com/watch?v=5fTldTDjWIA

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Posted on 5 ago 2017

Between memes and political agendas

If social networks are the daily exercise that people use today, can you trust them? Memes have become an integral part of our digital landscape, but how much they are shaping the way we communicate and express ideas in the online sphere among political agendas? The emergence of Memes as "resuelva, atiende" can really be traced back to only an Twitter-X user like taquira (@_____xemi)? Or maybe Alejandra del Moral and her "unir es resolver" never happened? Seems that to embody a message of unity and collective action, promoting the idea that coming together leads to solutions and progress also works to provoke confrontations about the ideal man to establish a successful relationship and his highlighted importance of having goals, working hard, taking care of one's health and, most importantly for her, having the ability to resolve conflicts; And then just finish delivering a supposed answer to this with additional wordiness with an "atiende". Are people from Mexico that easy? Alejandra del Moral utilized this slogan as a central theme in her campaign, which could also simply be an insult since by pretending that only brave people would dare to vote for the PRI. Yet the clash between the meme and del Moral encapsulates a broader conflict between different forms of a same expression, and yet on one hand, Memes "resuelva, atiende" represents a lighthearted and humorous approach to problem-solving, reflecting a sense of pragmatism and practicality but on the other hand, Alejandra del Moral's "unir es resolver" tries to embody a more serious and politically charged message, focusing on the power of unity and collective action.It is perhaps only a clash between these two figures that reflect the tension among manipulation, humor, seriousness, individualism, collectivism, digital culture, ignorance and political discourse. In terms of impact, the rivalry between Memes "resuelva, atiende" and Alejandra del Moral's "unir es resolver" has sparked how idiotic and voided dialogues on internet can be through a complete week.

Making art no. 6: "No one deserves as much as us." :)

It must be evident the artist does not need an agenda nor knowledges, so it is necessary to accept that the doctor's profession is and only is to repair automobiles. And if the worker has gotten all his diplomas by just learning formulas to approving exams and forget all about that later after finished school, then any product is clearly attainable for anyone by just wishing it and with a hit of heels three times. What is the use of politicians to us if they are not fascists nor murderers? A good health is not achieved with shit like fraternity nor by learning abilities to live! Isn't obvious? It is urgent to stop breathing together with all the will of our heart and allow all our bitches define accurately our laws and medical system as soon as possible and offer free stuff weekly no matter bad qualities nor even if it's not for pleasure or our duties; OPEN THE EYES! At the end we can witnessing right now how some are selling morbidity on youtube about who is lying to whom among supposed artists, bad choices on clothes to wear or not on tv or compromising shots during family schedules, and the fact of how anyone gets a salary behaving like a ridiculous smiling statue front a camera.

   

   

So here a friendly reminder: The party told you to reject the evidence of your eyes and ears. It was their final, most essential command.

   

   

   

NO ONE gonna define what will happen next if it isn't us.

   

Social: Banned videos from YT no. 2

Has man born to go naked around the world? Depends on the place? Is it correct the idea of allowing nudist beaches? Is it just about the body or about a perspective? Should one look himself naked front others? What is money? What is morality? What is the correct definition for art? What is morality for? Is it necessary or not to talk about body shame? Is it a nude, pornography? Is it a beautiful and naked girl just showing a forehead of her without suggestive poses porn? What is a limit? Why would you demand about a photograph of a naked baby who, to this point from 2022, seems not offending to anyone? Is that pornography? Does people feel ashamed of themselves when watching a photo captured by their own parents being babies taking a shower? Would you allow your friends to see those images? Is it the same to observe a person with a body molded by exercise to an extremely obese person? Should one explain the difference between Scary and Spooky? Can you imagine yourself dancing naked front your parents, uncles, aunts or other family members? And from this we must say it is a party. Would you organize such thing? How should one be educated? Is the simple chest of a man or a woman the same? Should aboriginal tribes be ashamed that their women do not use bras or blouses? Showing yourself naked around metropolitan streets works to manifestate any thing? WHAT IS THE POINT?

Making Art no. 4: "Between make anything and the artistic value".

Must art have some kind of strategy? History seems to show a distance between the ways of understanding the artistic study in different countries; It causes us to accept that any final product sometimes has consequences due to minute details, or almost unreliable philological bases, however, one does not intend any textual criticism or classical ecdotic since art can only be based on its meaning and the management of its economic preparation with diachronic processes like Greco-Latin, romantic and pagan precedents. Art, then, does not aim for social brilliance or indirect symbolic rewards since it mixes the cultured with the popular as a desire for self-representation beyond any style, whose most common procedure will be the provision of work done, the evaluation, or possible external help for the leading author of the artistic system, but not for the simple creative.

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So how should it be presented? How to differentiate a poetic language from prosaic language? Does it belong to some biocultural analytical puzzle? Should your subjective and / or objective perception be specified? On average, no art offers any advantage over productive means, in addition, if art did not offer benefits and only demanded time, energy and resources, its cognitive patterns would not feed the hunger for information that leads to the meaningful matrices from which we can make valuable inferences. Therefore we like bright, null and distinct colors, sharp contours, complex shapes, designs and materials on surfaces; And the more flexible minds are to handle multiple patterns on multiple levels, and the more open their mastery of the information that surrounds them, the better they can predict and act in the face of the nonsense of a complex world not built for the art itself that concentrates the profusion of symbolic perception of visual, auditory and social behavior patterns.

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And since emotional intensity helps to consolidate memory, the more attention is drawn to one or another X art, and the more it elicits responses, the more it can reconfigure our minds for its advantages over its purpose, identification, adaptation, and its continuity by allowing inferred meaning both at global anthropological levels, as well as at local historical, political, economic, technological, cultural, intellectual, and artistic levels. Works created by and for the flow of economic attention framed between a space, the media and forms that constitute it, pay for it and provide feedback just as its consumer does, who makes an appropriation of their choices making then uniques from which the product gains power over the repressed recreational subversion in the specialization of a defined exercise in the mercantile characteristics generated by its consumption with evolutionary exchange patterns understood as historical preferences and economic capacities. Taking us by the hand to the context of production defined by the economic, emotional, political, religious, social and cultural circumstances in which an artist is immersed when producing a work, which will demand time, energy and resources, and where their cognitive patterns will not be able to feed the hunger for the information that leads to the meaningful matrices of the final product from which it is possible to make valuable inferences; However, the work can reaffirm itself as a communicative manifesto depending on what is implicit in it.

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Thus we get to the point where the artist must create art and not a market, and where the marketer will create a market but never an art. A situation almost similar to creating a currency available for a market that requires a transnational historical trend and be significantly flexible, and that may or may not be compared with some investment in real estate or with a simple collection of sports cards so, to offer anything is enough? Should art impress and make the viewer uncomfortable? Is 'Sonata for pepáphone and voice, opus 140' a good example? Are we talkig only about hunger? Have we reached the limit of making any kind of item a product? If I intend to relate a writing with a murderous look, should I care? The only sound that the air pump produces directly to the vagina is noise added to the immediate need to create a melody for such accompaniment, which in the end becomes the same thing: Noise. Which at the same time makes one wonder if everything about composing can be summed up to believing and getting involved in an idea or, if perhaps all the studies that one should or could have carried out were once without context before the idea of ​​perhaps the artist or producer in question only produces uninteresting, unnecessary works or products or around related definitions. Are the different kind of performances known? Is the presentation of an "Opus" more valuable to human sculptures like "Rushing man" or people like Estevan Mortensen? What kind of difference is on presenting yourself with agility and creativity as Dan Menendez "The piano juggler"? Do people understand or know the different examples that exist?

   

   

   

Video link: https://www.youtube.com/watch?v=ZJQvHSZW3eg

Social en castellano: Rumbo las elecciones en México. ¿Religión, Drama, Estilo o Política?

¿Deseo que Dios escuche suplicas o quiero que la educación, la economía o la seguridad en el país mejore? ¿Fue Dios o acaso el transcurso del tiempo la razón por las cosas se arreglan? Si el tiempo de Dios no es nuestro tiempo, ¿a qué debe su tiempo el hombre? ¿Sirven los consejos políticos de una institución con una historia tan sangrienta cómo la iglesia? o, ¿debería uno revisar la página oficial candidaturas.ine.mx? ¿Cómo percatarse si una persona es honesta, con valores similares a los de uno? ¿Es eso posible a pesar de que los datos capturados por el INE son los que proporciona los mismos candidatos y no por un tercero que les investigue? ¿La libertad religiosa internacional realmente se ha divorciado completamente de arenas políticas nacionales en México u otros países? ¿De qué va la revista desdelafe.mx? ¿Puede igualarse la publicación con fecha del 30 de Mayo 2021 (https://www.twitter.com/DesdeLaFeMx/status/1399040430927405058) con la propuestas del Partido Verde de colocar cámaras en el servicio público para combatir la delincuencia? ¿Por qué no a través de las distintas rutas para ir avanzado hacia un mayor número de calles y así aumentar fuentes de empleo en el sector seguridad? En fin, ¿realmente sirven? ¿Acaso no se ha comenzado una ola de robos contra monumentos justo enfrente de aquellas cámaras? Y ni hablar de la canasta básica que muchos partidos han ofrecido en el pasado, y ahora pretenden con quienes han perdido el trabajo por la pandemia que no es asunto que requiera tres años para resolverse con productos tan perecederos como soya de la peor calidad, o frijoles, arroz y leche en polvo de marcas con dudosa procedencia y bajo valor nutritivo. ¿Sería benéfico investigar las alianzas entre políticos? Porque después de 3 intentos para alcanzar la presidencia, he incluso crear otro partido ¿cuáles son las diferencias entre Cuauhtémoc Cárdenas y AMLO? Luego tienes a falsos críticos en los medios sin bagaje social ni cultural, y resultan sólo vergüenzas cuándo lo único que saben ofrecer son bolas y piedras contra sus similares; A veces parece como si costara demasiado preguntarse sobre la relación entre elecciones federales para diputados y senadores con la elección presidencial. Pero, ¿acaso estos temas se resuelven hablando de Dios?

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Para cuando alcanzó su oportunidad AMLO, el PRD contaba con 22 senadores y 104 diputados, sin pasar por alto los convenios que tenían con el PT y Movimiento Ciudadano, los cuales contaban con 5 senadores del PT y uno de Movimiento Ciudadano. Y de alguna forma las administraciones internas deciden formar un partido con ex integrantes del PRD, PT, MC, Partido Verde, ¿he incluso el PRI? De lo cuál, cuántos y quiénes eran sus integrantes iniciales y a veces actuales de Morena pasa casi inadvertido quizá porque las decisiones de partido no se consulta bajo las urnas como pueden ser nombrados los beneficios que se llegan a tomar ellos mismos para su partido o sus aliados como el ejemplo del gobernador de Chiapas Manuel Velasco cuándo en el 2018 se avalara su candidatura al senado aún siendo gobernador, solicitando licencia como senador y con ayuda de Ricardo Monreal, lo que en resúmen le permite quedarse con dos cargos y a Morena ganar 5 senadores que pasan del Partido Verde a Morena. Así que, ¿qué clase de gente pretende puestos públicos si por la noticias se escucha que detienen a alcalde de Morena por desaparición de 20 personas en Oaxaca y por poseer armamento de uso exclusivo del ejército? O casos como el de Cipriano Chavez Piedraza diputado federal que ha sido vinculado a proceso penal por tentativa de homicidio agravado? U el caso de Juan Gabriel Galdón Miranda Gallegos del grupo 'Juntos haremos historia', quién gobierna desde la cárcel desde 2018 después de que en pleno proceso electoral se le detuviera por delincuencia organizada, delitos contra la salud, secuestro y aún así no pierde la elección (!?) ¿Es así como debe uno entender una legislación? ¿Se trata sólo de crear programas implementados con irregularidades para asegurar votos del heraldo? ¿Los estudiantes nivel secundaria necesitan internet gratuito?

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¿Es democracia tomar la política como simples acontecimientos cercanos al chisme supuestamente artístico, o programas de vídeos supuestamente graciosos? ¿Qué pretende un periodista al reírse en tiempo aire cuándo se habla de un candidato, o de insultar durante su programa a seguidores no de un candidato sino de un partido? ¿Qué pretende una persona apodada ‘El Mijis’ al registrarse como indígena si al final se le suspende al no comprobarse lo que asegura? ¿Acaso se ofrece a la ciudadanía más que carcajadas el ver a políticos promocionarse con actos polémicos o canciones ridículas? Casos como Samuel García, Francisco Cienfuegos, Carlos Mayorga, Fernando Garza Martínez, Julián Zacarías Curi, Mario Zamora Gastélum, Yolanda Cantú, Elva Araceli Alonso González, he incluso Carlos Augusto González prometiendo un concierto de Metallica como si ello fuera a mejorar su algún tema de inseguridad. ¿Acaso se puede decir que supuestos personajes o incluso “influencers”, “famosos” u “artistas” como ‘Paquita la del barrio’, una tal Gabriela Goldsmith (?), Arturo Carmona (?), Hector Hernández (?), Paolo Botti (?), Silvia Gaytán Barragán (?), Edgar Andrade (?), Nacho Peregrín (?), y tantos otros promocionados con partidos como RSP con una oferta de gente como Blue Demon Jr, Tinieblas o Alfredo Adame (?) y otros que no llegan a su candidatura con una licenciatura cómo se menciona en candidaturas.ine.mx, están lo suficientemente preparados para enfrentar un cargo político? ¿Lupita Jones continuará con sus malos tratos y actos discriminatorios cómo aquellos de los cuáles fue acusada durante el certamen ‘Mexicana Universal’? ¿Debe uno prestarle más atención al televisor? ¿Cuál es el punto de abandonar el camino de Dios para dedicarse a la política como Onésimo Cepeda?

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¿A qué nos lleva una propaganda sobre elecciones que pueden decidir la presidencia para el 2024, si de las cuáles es notable la influencia respecto a las elecciones que llevaron a López Obrador hacia la presidencia, como “Peligro para México”, y que han continuado utilizando con acusaciones tan diversas como supuestos “golpes bajos” en forma de muros para defender edificios históricos que nada tienen que ver cristales ni el abandono a la atención de víctimas? Al menos políticamente hablando, que mientras dicho señalamiento se pronuncia en las noticias o tiempo aire, también se habla de órdenes de protección expedidos no en 8 horas sino en cuatro, así como la separación de la FGR del mismo organismo de protección a mujeres al buscar por la red. Entonces, ¿qué debe uno creer? ¿Cuánto tiempo es necesario para la renovación de políticas? ¿Es cierto el abandono de recursos públicos de ahorro, medicamentos, estancias infantiles, atención a niños con cáncer, apoyos al campo, u empleo como señala en sus spots el PRI? ¿Cuánta razón habitan en las palabras por los spots de Alejandro Moreno respecto al abandono de programas de apoyo, insuficiencia económica, la seguridad, o en el continuar por la misma ruta remarcando lo que una inmensa mayoría no puede controlar respecto al COVID19 sólo para finalizar con frases adjetivas como “desgracia para México”? ¿Debe uno olvidar o pasar por alto que culturalmente durante gobiernos del PRI u el PAN servicios educacionales privados y gubernamentales han seguido pautas cuadradas y troncos comúnes condicionados a materias inecesarias y además colgadas a una desigualdad respecto a la diversidad en los posibles proyectos que la gente pueda pretender? ¿o que proyectos tales como ‘Prospera’ ha sido señalado como medio para compra de votos (aristeguinoticias.com/0305/mexico/pan-y-prd-exhiben-compra-de-votos-en-veracruz-a-traves-de-prospera-y-a-favor-del-pri-video/) ?

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¿La gente tiene el gobierno que merece? ¿Toda aquella fuerza a vencer de un candidato sólo se muestra durante la campaña? ¿Las mañaneras de AMLO han sido en verdad propaganda hilada desde que fue gobernador de la capital? ¿Qué puede exigirse realmente a un servidor público si aquel cumple sus propuestas? ¿Se le puede señalar por carreteras llenas de baches si aquel cumple con incrementos en el salario mínimo o define un límite a los salarios de servidores públicos? ¿Que ha resultado en México respecto a la elección de tal o cuál partido desde el México del 68? ¿No es necesario conocer la historia para no repetir errores del pasado? ¿Son suficiente sólo las propuestas? ¿Cuánto se sabe sobre la administración de cada partido si antes de las elecciones se habla sobre selecciones de candidatos? ¿Se puede hablar de “elecciones limpias” si hasta ahora ya hemos llegado al número de 89 candidatos asesinados desde Septiembre del 2020 hasta la fecha de publicación de éste escrito? ¿Puede un Dios ver con buenos ojos tal número? ¿Es acaso México alguna parte perdida del ‘País de la Maravillas’ con el cuál Alicia soñó alguna vez?