Making Art No. 10: Trends that shape the Future of Artistic Design Expression in 2025

Art is not, obviously, that ephemeral and often conflictive relationship of a search for love based on ending up all beaten up after provoking angers to strangers for internet content (Johnny Somalí), but it is truly the need to know ourselves, find ourselves, and even make visible what is not always so through authentic connections whose panorama is being transformed even now more with the popular use of artificial intelligence, challenging us to find meaning in the everyday such as collaborative projects that are booming in particular because brands seek to reach a wider variety of audience groups by adopting styles in their campaigns driven by increasingly advanced targeted digital advertising, which allows brands to serve audiences with images that will appeal to their specific tastes of familiarity and visible comfort through creations of 3D textures visible on image generation pages with artificial intelligence, but in a professional way and that transcends other arts style yameii online, apoki or digital humans like Mave's kpop offering; In turn, driving the making of 3D modeling more accessible and with a greater workflow for 2D artists based on platforms such as *WOMP*, *Adobe Project Neo* and *Kaedim*.

Design will also delve deeper into the pursuit of futures with roots in trends such as the retro-futurism based on stylized interpretations of the vintage and retro Moons of Darsalon style, steampunk, cybergothic and representations of the past and present, trends that unleash the imagination of artists and are expected to be applied more widely to comic art, conceptual art and fantasy illustration. After all, the trend will be totally clear during 2025 with the return of vintage magazine brands such as *Heavy Metal* and *Metal Hurlant*. Also we will also see a lot of psychedelia inspired by nature, spiritual feelings, hallucinatory patterns, vintage futuristic landscapes, funny and relatable everyday moments, satire, wordplay and the quirky; with a timeless sense of humor.

   

Additionally, all hand-made stop motion animation will be popular like already *Wallace & Gromit: Vengeance Most Fowl* on Netflix, *Dog Man* by DreamWorks or *Wildwood* produced by Laika, and there will be a lot of attention to all immersive experiences such as the collaborations made by artists like DJ Anyma (Matteo Millei) who has managed to combine electronic music with projections created by the team behind the duo Alessio De Vecchi (co-creative visual director) and Ian Spriggs (character artist), during the events of Tomorrowland and Afterlife, similar to those presented in the structure of The Sphere in Las Vegas, a site where popular shows of the same style will continue to be performed, and whose trend is repeated with *Starscape* presented at Genesis House in New York City; *Immersive Journey* by ROM in Toronto; *Invisible Worlds* at the Natural History Museum of America; *TeamLab Planets* and *TeamLab Borderless* presented in Tokyo; the moving version of *Rembrandt's The Storm on the Sea of Galilee for Frameless* made by Cinesite in London; As well as immersive, interactive experiences such as *Super Nintendo World* at Universal Studios Hollywood and Universal Orlando Resort; *Disney's Star Wars: Galaxy's Edge*, located at Disneyland; or *Pac-Man Live Experience* at the Arcade Arena in Manchester

And that's how we've already started to explore the concept of "Real Time Immersive Experience" using Unreal Engine, this powerful dynamic rendering engine allows the creation of complex environments, using cloners and effectors that can handle tens of thousands of meshes in real time, whose capabilities include Dynamic Visual Definition that allows adjusting the visual resolution of particles and colors on material surfaces instantly, and Advanced Visual Physics that offers realistic simulations of particles and collisions, enriching the immersive experience; Features that are essential in large visual effects and animation productions, both in film and television series, as is the case of visual effects and film production companies such as DNEG.

In conclusion, the evolving landscape of art and design is being dynamically reshaped by technological advancements, particularly with the integration of artificial intelligence and real-time immersive experiences. The convergence of these elements not only expands the boundaries of creativity but also offers new avenues for artists and designers to connect with audiences in profound and meaningful ways. As we continue to explore and embrace these innovations, the potential for collaborative and transformative artistic endeavors will undoubtedly grow, enriching our cultural tapestry and paving the way for future generations of creators.

Making Art #9 Flickr and Cameras

The year is behind us and we need more art front, so Flickr gifts us a look back adding a cameras list with the most popular non-phone cameras by users. A list that is really appreciated, thank you Flickr, and that also helps to get closer to photography.

   

Source: https://flickr.com/year-in-review/2024/

Making art No.8: Color's theory game

Troubles understanding color's theory as one does? @Seek_Treasure ((@ombosoft)) did a great work, and you can say one has been playing for a pair of weeks now.

   

   

   

   

   

   

   

   

References:

   

https://www.reddit.com/r/ColorTheory/comments/15506tm/free_tool_a_game_where_you_can_practice_mixing/

   

https://ombosoft.itch.io/paint-match

Making art no. 7 ::: Making posters, paintings, designs

   

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#artobject Mor in https://www.deviantart.com/matabsu

Social: Banned videos from YT no. 3 Audiovisual "TV advertising"

Message that seems many do not understand

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antique & original link https://www.youtube.com/watch?v=5fTldTDjWIA

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Posted on 5 ago 2017

Spoonman (cucharita)

Making art no. 6: "No one deserves as much as us." :)

It must be evident the artist does not need an agenda nor knowledges, so it is necessary to accept that the doctor's profession is and only is to repair automobiles. And if the worker has gotten all his diplomas by just learning formulas to approving exams and forget all about that later after finished school, then any product is clearly attainable for anyone by just wishing it and with a hit of heels three times. What is the use of politicians to us if they are not fascists nor murderers? A good health is not achieved with shit like fraternity nor by learning abilities to live! Isn't obvious? It is urgent to stop breathing together with all the will of our heart and allow all our bitches define accurately our laws and medical system as soon as possible and offer free stuff weekly no matter bad qualities nor even if it's not for pleasure or our duties; OPEN THE EYES! At the end we can witnessing right now how some are selling morbidity on youtube about who is lying to whom among supposed artists, bad choices on clothes to wear or not on tv or compromising shots during family schedules, and the fact of how anyone gets a salary behaving like a ridiculous smiling statue front a camera.

   

   

So here a friendly reminder: The party told you to reject the evidence of your eyes and ears. It was their final, most essential command.

   

   

   

NO ONE gonna define what will happen next if it isn't us.

   

Making Art no. 5: To learn to write, should one just devote himself to writing?

A Law Manifesto (A Schizophrenic Piece)

   

One will never be unique even if one presumes to be strong inside while trying to impress others with appearances made photographs or suppously motivate ridiculous phrases which clearly will not help anyone to undertake. And at not finding any mistake on this one gonna just keep stand and to think that undertaking or start an independent business is not about repeating speeches about sacrifices either because people should engrave in their heads the normalized of laughing at any apparent stupidity produced by even bits of ignorance that become as hypocritical and extremist as a friendly smiling or a nice looking guy who spends his time dreaming of satisfactions and relationships with himself in ways that he defines as inexplicable because he simply has no idea what he is talking about; But there he is offering himself as associate, helper and friend while this guy is talking about kindness and considering himself as wholeheartedly posing totally impossible scenarios about losing everything and with a supposed end of laughing of himself at rising from the ashes like a phoenix.

   

And and so deep is this guy into his role that he finds himself satisfied with the conformity of encouraging others to support the most needy without doing anything from his comfort trench thinking and showing himself consumed with desires for the same comfort that he adores so much, like this as “financial education” that he cannot search or maybe does not know how to search for because his words instead seek empathy and placate feelings by talking about everything that is getting out of his hand with textual quotes that among his fingers are just a total joke because it cannot be anything else when he is just writing sentences such as "If economists really knew about business, they would be rich, and not advisers to the rich" (Kirk Kerkorian) trying to advise from a useless facebook page. As the same are also those who presume empty content and without context and without use to anyone since by taking them seriously they seem like third world policemen not qualified for absolutely anything ethically since they direct theirs index fingers to point out matters that do not concern them and they have lost the course of their own studies and their own basic role in the world of understanding themselves as people who serve people and are not fit to decide what the other should do or think. And perhaps the top off/height/the las straw of this kind of people is to be as on oneself from the first opportunity that they manage, for example, to be such social misfits who live a history fed little by little with ideological surfaces that among them even allow themselves to go from party to party or from place to place thinking how many or few seem not to belong to herds that evidently also exist and from which they do not escape, and among them it is also evident that staying to inhabit the shadows will never attract anything anywhere around the world.

   

Reaching then ot the point where everyone who has enough imagination for it, may visualize any possible walk through of what must happen every first time like some with the possibility of not dedicating himself to search too much or not to face dramas that happen at random from a fact of trying to dedicate their time to at least maintain oneself, they are simply capable of expanding inequalities for a simple sick pleasure that with each act they perceive with professions that require only time and practice to perform them as well as spaces to demonstrate them and of which they are able to show off themselves or do everything possible so that others do not find out about all the possible ways and results of doing the same, because a young person is very likely to still not know too much about himself and much of his behavior and his way of standing out can still depend on what surrounds him.

   

It is a common belief that one's background and upbringing play a significant role in shaping one's identity and defining who they are. However, it is important to consider whether one's identity is solely determined by their origins, or if there are other factors that contribute to their uniqueness. While one's cultural, social, and familial background undoubtedly influence their beliefs, values, and perspectives, it is not the sole determinant of their identity. People are complex and multi-faceted beings, influenced by a variety of factors beyond their origins. Personal experiences, relationships, education, and individual choices all contribute to shaping one's identity. It is also crucial to recognize the role of personal agency in defining one's identity. While one's background may provide a foundation, it is ultimately up to the individual to determine who they want to be and how they want to live their life. Each person has the power to create their own path, independent of their origins. Furthermore, the idea of uniqueness goes beyond simply coming from a certain place or having a particular background. It is about embracing one's individuality, celebrating differences, and recognizing the beauty of diversity. One's uniqueness is not defined by where they come from, but rather by how they choose to express themselves, engage with the world, and contribute to society.

   

In the modern age of social media and constant connectivity, there is a tendency for individuals to seek validation through external means such as photographs and motivational phrases. However, true uniqueness comes from within, from being comfortable in one's own skin and embracing one's authentic self. It is not about impressing others or conforming to societal expectations, but about being true to oneself. Moreover, the pursuit of entrepreneurship and independence is not about repeating empty speeches about sacrifices or projecting a false facade of success. It is about genuine hard work, determination, and a willingness to take risks. It is about being honest with oneself and others, and approaching challenges with humility and resilience. In conclusion, while one's background may have an impact on their identity, it does not solely define who they are. True uniqueness comes from within, from embracing one's individuality and pursuing one's passions. It is about being authentic, genuine, and sincere in one's actions and interactions with others. One's identity is shaped by a multitude of factors, and it is ultimately up to the individual to determine who they are and who they want to become.

Making Art no. 4: "Between make anything and the artistic value".

Must art have some kind of strategy? History seems to show a distance between the ways of understanding the artistic study in different countries; It causes us to accept that any final product sometimes has consequences due to minute details, or almost unreliable philological bases, however, one does not intend any textual criticism or classical ecdotic since art can only be based on its meaning and the management of its economic preparation with diachronic processes like Greco-Latin, romantic and pagan precedents. Art, then, does not aim for social brilliance or indirect symbolic rewards since it mixes the cultured with the popular as a desire for self-representation beyond any style, whose most common procedure will be the provision of work done, the evaluation, or possible external help for the leading author of the artistic system, but not for the simple creative.

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So how should it be presented? How to differentiate a poetic language from prosaic language? Does it belong to some biocultural analytical puzzle? Should your subjective and / or objective perception be specified? On average, no art offers any advantage over productive means, in addition, if art did not offer benefits and only demanded time, energy and resources, its cognitive patterns would not feed the hunger for information that leads to the meaningful matrices from which we can make valuable inferences. Therefore we like bright, null and distinct colors, sharp contours, complex shapes, designs and materials on surfaces; And the more flexible minds are to handle multiple patterns on multiple levels, and the more open their mastery of the information that surrounds them, the better they can predict and act in the face of the nonsense of a complex world not built for the art itself that concentrates the profusion of symbolic perception of visual, auditory and social behavior patterns.

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And since emotional intensity helps to consolidate memory, the more attention is drawn to one or another X art, and the more it elicits responses, the more it can reconfigure our minds for its advantages over its purpose, identification, adaptation, and its continuity by allowing inferred meaning both at global anthropological levels, as well as at local historical, political, economic, technological, cultural, intellectual, and artistic levels. Works created by and for the flow of economic attention framed between a space, the media and forms that constitute it, pay for it and provide feedback just as its consumer does, who makes an appropriation of their choices making then uniques from which the product gains power over the repressed recreational subversion in the specialization of a defined exercise in the mercantile characteristics generated by its consumption with evolutionary exchange patterns understood as historical preferences and economic capacities. Taking us by the hand to the context of production defined by the economic, emotional, political, religious, social and cultural circumstances in which an artist is immersed when producing a work, which will demand time, energy and resources, and where their cognitive patterns will not be able to feed the hunger for the information that leads to the meaningful matrices of the final product from which it is possible to make valuable inferences; However, the work can reaffirm itself as a communicative manifesto depending on what is implicit in it.

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Thus we get to the point where the artist must create art and not a market, and where the marketer will create a market but never an art. A situation almost similar to creating a currency available for a market that requires a transnational historical trend and be significantly flexible, and that may or may not be compared with some investment in real estate or with a simple collection of sports cards so, to offer anything is enough? Should art impress and make the viewer uncomfortable? Is 'Sonata for pepáphone and voice, opus 140' a good example? Are we talkig only about hunger? Have we reached the limit of making any kind of item a product? If I intend to relate a writing with a murderous look, should I care? The only sound that the air pump produces directly to the vagina is noise added to the immediate need to create a melody for such accompaniment, which in the end becomes the same thing: Noise. Which at the same time makes one wonder if everything about composing can be summed up to believing and getting involved in an idea or, if perhaps all the studies that one should or could have carried out were once without context before the idea of ​​perhaps the artist or producer in question only produces uninteresting, unnecessary works or products or around related definitions. Are the different kind of performances known? Is the presentation of an "Opus" more valuable to human sculptures like "Rushing man" or people like Estevan Mortensen? What kind of difference is on presenting yourself with agility and creativity as Dan Menendez "The piano juggler"? Do people understand or know the different examples that exist?

   

   

   

Video link: https://www.youtube.com/watch?v=ZJQvHSZW3eg

Making Art No. 3: Are two hours or much less enough to make a painting?

Between designing and painting what is possible to make? Seems was possible without caring too much if one is correcting small details based on this picture.

#Braque #FreshPainting

   

Remember, Art is whatever you want it to be

Makin' Art No. 2: Doodles

Make it better, then make it oil if possible.

... Come to real life.

EGG

Making art, No. I

((Writing poetry with past examples and in other languages than mine for quick improvisations))

Here and Now